Tuesday, 20 October 2015

Apparently No Means Yes

With campaigns like “No Means No” and “Yes Means Yes” out to cure rape culture from its core, we must ask ourselves – where did such a skewed perception of consent originate from anyway? As society finally begins to recognise and react to the widespread phenomenon of men ignoring the legitimacy of female consent (or lack thereof), it is worth understanding the ways this mentality is perpetuated in society.

Most likely the biggest reason is that women’s bodies have consistently been characterised as men’s property under the male gaze, and I’ve already deconstructed parts of these issues here here and here, and will continue to do so. But what is also worth airtime is the way consent in sex and relationships is portrayed in pop-media, and how this perpetuates rape culture. Read on to find out why The Notebook is problematic!

Basically, we romanticise boys “getting the girl” through persistence and perseverance, never stopping in his quest to make the girl of his dreams realise that in fact, he is what she has been missing from her life all along...

  • Ryan Gosling as Noah in the romance-story-to-end-all-romance-stories The Notebook repeatedly asks dream-girl Allie out, despite her definitive “no”. He then threatens to kill himself unless she goes out with him.
  •  Heath Ledger *swoon* as Pat in 10 Things I Hate About You dogs Kat until she finally falls for him… and they kiss in a paintball fight… and it’s so cute…
  •  Logan Lerman in the 2011 adaptation of The Three Musketeers asks blonde-beauty to go out with him again and again until she agrees.


As a society we have endorsed, romanticised and encouraged the idea that if a guy wants a girl, he should have her. Moreover, women are constantly portrayed in blockbuster romance movies (and comedies, action movies, coming of age movies…) as if they don’t know what’s best for them; it’s only when a man forces himself into their affection that they realise he is their Prince Charming.

We tell boys that the way to go about “getting the girl” is to ignore her rejections and try again and again, because she doesn’t know what she wants.

The movies above are very explicit examples of this mentality, but it is still implied in the vast majority of storylines which include (cis-hetero normative) relationships. Pride and Prejudice characterises Elizabeth Bennet as ignorant of her true feelings, and romanticises Mr Darcy’s attempts to woo her (albeit subtly) despite her rebuffs. Looking For Alaska similarly creates a hero out of Miles for persevering with his efforts to get with Alaska.

Not a single pop-culture storyline comes to mind when I ask myself if there is a book or movie which legitimises a woman’s feelings of unattraction towards a man who is pursuing her.

This screams rape culture, loud and clear. When we encourage boys to keep chipping away at a girl’s defence against his advances because that is the cute, romantic way to gain a relationship, we validate people who ignore “no” as an answer to sex, kissing, or even hitting up on Facebook. None of the hyper-sexualised, attractive, idolised male characters accept no for an answer, and they live happily ever after. So why are we so confused when boys feel like she doesn’t really mean it when she says “no”?



2 comments:

  1. i think a distinction can be made between rape culture - which involves the (obviously) criminal act of sexual assault - and the notion that boys should 'win over' the girls.

    lumping them together as one in 'rape culture' is like lumping all drug crime - personal users to drug kingpins - into one huge category. sure, both are symptoms of a societal issue, but one is fundamentally far more morally wrong than the other.

    personally i agree that the 'boys winning over girls' is part of the objectifying treatment of women by our patriachal society, however most people will just dismiss it as nonsense if you go around calling it all rape culture.

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  2. Hence the difference between saying "rape" and "rape culture". The culture that has eventuated because of normalising and trivialising rape, sexually objectifying women etc manifests in so many different ways, some of which are more severe than others.
    My parents being uncomfortable letting me catch public transport alone after dark is an example of rape culture just as much as the statistics that indicate only 3% of rapists are jailed. Since it is exactly that - an entire culture that forces expectations of fear and assault upon women - there are so many nuanced aspects to it that all must be addressed, even though it seems insignificant enough to be dismissed as "nonsense".
    The idea that we encourage boys to pursue women even without consent is relevant to rape culture because it perpetuates the general atmosphere of fear of rape, and the idea that women's consent will be ignored.

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